![]() |
Simon Lewis was born in
Okehampton in Devon in 1945. He grew up in Germany and South Devon. He
went to Art School at Bath Academy of Art in Corsham in the mid-sixties
and was a Post-graduate student at the University of Reading in the early
seventies, where he was the first Sculptor that the University admitted to
its Master of Fine Arts Degree programme. He has lived and worked in
London, Hull and most recently the Midlands. Since leaving University, he
has taught in many different Art Schools but principally at Chelsea, Hull
and the University of East London. In January 1995 he became Head of the
Department of Visual and Performing Arts at the Nottingham Trent
University and is currently the Dean of Nottingham Trent School of Art and
Design.
As an undergraduate student in the 1960's, he was taught
by a group later to become important British Artists, among them; Howard
Hodgkin, Robyn Denny, Gillian Ayers, Henry Mundy, Michael Craig Martin. As
a postgraduate at the University of Reading, his tutors included Terry
Frost, Rita Donagh, Claude Rogers, Peter Kalkoff, and Tom Barratt. As a
teacher he has worked at different times and in different colleges with,
among others, George Fullard, Miles Murphy, Norman Blamey, Nigel Hall, Ron
Haselden, Shelagh Cluett, Phylida Barlow, John Clarke, Clyde Hopkins,
Guerda Roper, Geoff Dellow, Rob Ward, Marilyn Hallam, Helen Chadwick,,
David Sweet, Kenneth Turnell, Graham Crowley, Matt Rugg, Ray Arnatt, Mike
Punt, Tom Gillespie.
Throughout his career in education he has
continued to practice as a sculptor and more recently as a painter. This
continual practice has consistently informed and developed his teaching of
both undergraduate and post-graduate students, as his development as an
Artist has shadowed his development as an educator
He has
exhibited widely and internationally since winning the International Prize
(Travaux D'Equipe) at the Paris Biennale in 1996 and has continued to
favour, juried and group shows with like minded Artists pursuing similar
interests, to the pursuit of solo exhibitions. His career has (thankfully)
insulated him from the need to pursue a living in the vagaries of the
commercial art market. However, his work is included in many private
collections and a few public ones.
As well as being an Artist and
a teacher he has been involved in national developments in Art and Design
Education as a member of the Conference for Higher Education in Art and
Design (CHEAD), as a one time specialist advisor in Art and Design to the
Council for National Academic Awards (CNAA), as a trustee of the Art and
Design Admissions Registry (ADAR). Subsequently elected to the University
and Colleges Admissions Registry Art and Design Board. He is a founder
member of the Group for Learning in Art and Design (GLAD) and now member
of the Art, Design and Communications Learning and Teaching support
networks staff development group. He is also a member of the Higher
Education Art and Design Trust (HEAD Trust), a charity that gives
financial support to a variety of initiatives that support Art and Design
Students.
He has extensive connections with Artists and Educators
in Japan and Korea and has visited many Art Universities in these
countries as a guest speaker and invited Artist.
|