|
|
| |
| 1961 |
West Sussex,
England |
| |
|
Education |
| 1999-03 |
PHD Fine
Art, Goldsmiths College, University of London |
| 1988-90 |
MA Fine
Art, Goldsmith College, University of London |
| 1984-87 |
BA Fine
Art, Bath Academy of Art |
| 1978-79 |
Foundation, Art and
Design, West Sussex College, Worthing |
| |
|
| Solo
Exhibitions |
| 2002 |
Entwistle,
London |
| 1998 |
Duncan
Cargill Gallery, London |
| 1997 |
Concourse
Gallery, Byam Shaw School of Art, London |
| 1996 |
Lotta
Hammer Gallery, London |
| 1995 |
2 by 1,
Curtain Road Arts, London |
| 1993 |
Bipasha
Ghosh, London |
| 1991 |
Nicola
Jacobs Gallery, London |
| |
| Group
Exhibitions |
| 2003 |
Post Flat: New
Art from London, Locks Gallery, Philadelphia, USA |
| 2002 |
Gallery
Artists, Entwistle, London |
| |
Painting
as a Foreign Language, Centro Britanica Brasilliero, Sao Paulo, Brazil
|
| |
Matt
Franks, DJ Simpson, Michael Stubbs, Hollenbach Gallery, Stuttgart,
Germany |
| 2001-02 |
Vivid, Richard Salmon Gallery, London; Mead Gallery,
University of Warwick- Coventry; Northern Gallery for Contemporary Art,
Sunderland, UK |
| 2001 |
Throb, Westland Place Gallery, London |
| |
Teeth
& Trousers, Cell project Space, Ideal House, London |
| |
So
Nearly Exotic, Academy of Fine Arts, Helsinki |
| |
RCA
Secret, Royal College of Art, London |
| 2000 |
Café
Project Space, Jerwood Gallery, London |
| |
Include
Me Out, 48 Provost Street, London |
| |
Assembly, Stepney City, London |
| 1999 |
Elastic
Abstract, Curtain Road Arts, London, Spacex Gallery, Exeter
|
| |
Din/D.I.N, 4x4 Project Space, Amsterdam |
| 1998 |
Whitechapel Open, Whitechapel Gallery, London |
| |
Minus, Duncan Cargill Gallery, London |
| |
British
Painting in the 90’s, Hollenbach Gallery, London |
| |
From
Within, Juliet Gallery, Trieste |
| |
Cluster
Bomb, Morrison/Judd Gallery, London |
| 1997
|
Traffic,
(video), Curtain Road Arts, London |
| |
Gallery
Artists, Duncan Cargill Gallery, London |
| |
Fifty
Quid, Goldsmiths College, London |
| |
World of
Painting, Unit Gallery, London |
| |
Absolut
Secret, Royal College of Art, London |
| 1996 |
Art
96, Curtain Road Arts at the Design Centre, London |
| |
Contemporary Art from the British Council Collection,
Western European Union, Brussels |
| |
Out of
Order, Independent Art Space, London |
| |
Really
Out of Order, John Hansard Gallery, Southampton, The Cornerhouse,
Manchester |
| |
Fifty
Quid, Derbyshire Street Studios, London |
| |
G.Hemsowrth, P.Morrison, M.Stubbs, Villa Dei Cesari, London
|
| |
Gallery
Artists, Lotta Hammer Gallery, London |
| |
Snuff -
Tatort London, Christa Schubbe Gallery, Dusseldorf |
| |
Absolut
Secret, Royal College of Art, London |
| 1995 |
That’s
not the way to do it, PS2 Gallery, University of Northumbria,
Newcastle |
| |
Hard
Work - Shift 2, 43 Exmouth Market, EC1, London |
| |
Gang
Warfare, (Video) McKinney Avenue Contemporary, Dallas, USA;
Independent Art Space, London, UK; Le Consortium, Dijon,
France |
| |
Cocaine
Orgasm, BANK, 83 Curtain Road, EC2, London |
| 1994 |
Punishment & Decoration, Hohenthal und Bergen Gallery,
Cologne |
| |
Minatures, The Agency, London |
| |
Potato, (Video), Independent Art Space,
London |
| 1993 -
97 |
New
Voices, British Painting 1989-93, Musee National d’Histoire et d’Art,
Luxembourg, Istanbul Greater Municipality Taksim Art Gallery, Ankara State
Fine Arts Gallery, Izmin State Painting and Sculpture Museum, Centre
d’Art, Santa Monica, barcelona, Museo de Bellas Artes, Bilbao, Centro
Cultural Galileo, Madrid Sala de Veronicas, Muricia, Pescadera Vieja, Sala
de Arte - Jerez, Kulturhistorisches Museum, Magdeborg, National Theatre
Gallery, Bucharest, Art Halls of the Cultural Centre, Athens, Cultural
Centre, National Bank of Greece, Thessaloniki, Russian Museum, St
Petersbourg, The Museum, Nizhni Novgorod, Galeria Mesta Bratislavaa, House
of the Black Madonna, Czech Museum of Fine Arts, Prague, Museum of Modern
Art, Skopje |
| 1993 |
Launch, Curtain Road Arts, London |
| |
East, Norfolk Institute of Art & Design, Norwich
|
| |
Mandy
Loves Declan 100%. Mark Boote Gallery, New York |
| 1992 |
Joy and
Pain, ICA (De Appel), Amsterdam |
| |
New
Voices, (New works for British council collection), Centre Albert
Boschette, Brussels |
| 1991 |
Winter
’91, Nicola Jacobs Gallery, London |
| |
Gallery
Artists, Nicola Jacobs Gallery, London |
| |
Affordable Art, Connaught Brown Gallery, London
|
| |
Critics
view, Foyer Gallery, Royal Festival Hall, London |
| 1990 |
Countdown, Chisenhale Gallery, London |
| |
Interim, Goldsmith’s College, London |
| |
76 46 01
46 British Contemporaries, Ecole des Beaux Arts - Grenoble
|
| |
MA
Show, Goldsmiths College, London |
| |
Swimming
Underwater, Imagination Design & Communication, London
|
| |
Hommage
to the Square, Flaxman Gallery, London |
| |
Whitechapel Open, Whitechapel Gallery, London |
| |
|
| Forthcoming Exhibitions |
2003
|
Before and After
Science: Abstract Painting, Morella Art Contemporena Gallery, Milan,
Italy |
| |
Machiko
Edmondson, Jane Harris, Brad Lochore, DJ Simpson, Michael Stubbs,
Milan Gallery, Sao Paulo; Oscar Cruz Gallery, Rio de Janeiro |
| |
Foreign
Policy, Maltz Gallery, Otis University, Los Angeles, USA |
| |
|
| Publications |
| 2003 |
Schwabsky, Barry.
Post Flat. Locks Gallery, Philadelphia. Ex.cat. |
| 2002 |
Space Cooks,
Artists Recipes, Space Studios, London. |
| |
Ryan, David. Vivid.
Mead Gallery, University of Warwick, Coventry; Northern Gallery for
Contemporary Art, Sunderland. Ex.cat. |
| |
Malik, Suhail.
Painting as a Foreign Language. Centro Britanico Brasilliera. Ex. cat.
|
| 2000 |
Assembly.
Stepney City, London. Ex.cat. |
| |
BANK Shows
1991-2000. Bank Publications (Cocaine Orgasm). Ex. cat. |
| 1999 |
Trevor, Tom.
Elastic Abstract. Spacex Gallery, Exeter. Ex.cat. |
| 1998 |
Cecchetto, Paulo.
From Within. Juliet Gallery, Trieste. Ex.cat. |
| 1997 |
Murray, Angela.
Positive Denial: Interview with Michael Stubbs. Hello. RCA
Publications. |
| |
Zakiewicz, Neil.
Blind Data (World of Painting). Unit Publications, London.
|
| 1996 |
Contemporary Art
from the British Council Collection, Western European Union,
Brussels. Ex.cat. |
| |
Morgan, Stuart.
Out of Order. IAS, London; John Hansard Gallery, Southampton;
Cornerhouse, Manchester. Ex.cat. |
| |
Quinn, Malcolm.
Snuff: Tatort London. Christa Schubbe Gallery,
Dusseldorf. Ex.cat. |
| 1995 |
Worsdale, Godfrey,
Hard Work – Shift 2, 43 Exmouth Market, London |
| |
Corris, Michael,
Gang Warfare, IAS, London, McKinney Avenue, Contemporary, Dallas;
Le consortium, Dijon |
| |
Searle, Adrian,
Works for a Complex Age, New Voices, Germany/Romania
|
| 1994 |
Undiscovered
Country, Untitled Video Project, Untelevision Video Magazine, May
|
| |
Corris, Michael,
Punishment & Decoration, Hohenthal und Bergen Gallery,
Cologne |
| 1993 |
East, Norfolk
Institute of Art and Design, Norwich. Ex.cat. |
| |
Gill Hedley &
Andrea Rose, New Voices - British Painting 1989-93, British
Council, Turkey / Spain. Ex.cat. |
| |
Morgan, Stuart,
Mandy Loves Declan 100%, Mark Boote Gallery, New York
|
| |
Daniell, Angie,
(producer), Mandy Loves Declan 100%, video project for
compilation, Mark Boote Gallery, New York |
| 1992 |
Kremmer, Mark,
Joy & Pain, ICA Amsterdam |
| |
Gill Hedley &
Andrea Rose, New Voices - British Painting 1989-93, British
Council, Belgium / Luxembourg. Ex.cat. |
| 1990 |
Kremmer, Mark,
Resistance, Phantasmagorias & Curtis, MA Show Catalogue,
London |
| |
Dick Hebdige &
Nicholas DeVille, The Concept, The Business, The Art, (Design –
Art’s Anxiety), Swimming Underwater, London |
| |
|
| Selected bibliography |
| 2003 |
Hill, Lora. ‘First
Friday Focus.’ City Paper, 2 January. |
| 2002 |
Herbert,
Martin. ‘Vivid.’ Time Out, 6-16 January. |
| |
Lack,
Jessica. ‘Michael Stubbs at Entwistle.’ The Guardian (Section 2),
21 January. |
| |
O’Reilly,
Sally. ‘Michael Stubbs at Entwistle.’ Time Out, 23-30
January. |
| |
Falconer,
Morgan. ‘Michael Stubbs at Entwistle.’ What’s On In London, 23-30
January. |
| |
Ryan,
David. ‘Thinking in the Abstract.’ Contemporary,
February. |
| |
‘See This
(Top Five).’ The Guardian (Guide), 2-8 February. |
| |
Mears, Beth. ‘Michael
Stubbs at Enntwistle.’ bowieart.com (News), 4
Febraury. |
| |
Sumpter,
Helen. ‘Michael Stubbs at Enwistle.’ Evening Standard (Hot
Tickets), 1-7 February. |
| |
Dyer,
Richard. ‘Michael Stubbs at Entwistle.’ Contemporary
(International News, London), March. |
| |
Ferraz,
Geraldo Galvao. "A Pintura Nao Confira, ‘Painting as a Foreign Language.’"
Jornnal da Tarde (sp varierdades), 23 March. |
| |
‘Painting
as a Foreign Language.’ Veja Sao Paulo, 27 March. |
| |
Foster,
Stephen. ‘Painting as a Foreign Language.’ Contemporary,
Summer. |
| 2001 |
Mears,
Beth. ‘Throb.’ bowieart.com (News), 17 April. |
| |
‘Michael
Stubbs at Throb,’ Time Out, 9-16 May. |
| 1999 |
Morrison,
Paul, Bonjour Monsieur Caulfield, Contemporary Visual Arts,
no.22,April |
| |
Buck,
Louisa, Elastic Abstract, Art Newspaper, London, June
|
| |
Wingrave,
Hannah, Elastic Abstract, Flash Art, Vol XXXII, no 208, October
|
| |
Reynolds,
Richard, Elastic Abstract, Exeter Flying Post, no 241, October
|
| |
Robinson,
Deborah, Elastic Abstract, Artist Newsletter, November
|
| 1998 |
Judd, Ben,
World of Painting, Flash Art, Vol XXX, no198, Jan/Feb
|
| |
Rushton,
Steve, Dead again? – World of Painting, E (Everything) 2.2.Vol2,
Issue2 |
| |
Williams,
Zoe, Michael Stubbs at Duncan Cargill, (Hot Tickets), Evening
Standard, 16 Jan |
| |
Rubino,
Chris, Insider Dealing - Second Helping, ‘Michael Stubbs at Duncan
Cargill’, London Mag Museums and Galleries, Feb/Mar |
| |
Feaver,
William, Whitechapel Open, Sunday Obsrever (The Review, Art), 5
April |
| |
Coomer,
Martin, Whitechapel Open, Time Out, 15-22 April |
| |
Morrison,
Paul, Michael Stubbs at Duncan Cargill, Contemporary Visual Arts,
no 19 |
| |
Herbert,
Martin, Minus, Time Out, 26 – 2 Sep/Aug |
| |
Nove
artisti in coliettiva negli spaxi della ‘Juliet’, ‘From Within’, Il
Mercantino, 3-9 Oct |
| |
Michelli,
Lorenzo, Ecco gli inglesi: lanuova suspence, ‘From Within’, Il
Piccolo, 20 Oct |
| |
Vogt,
Rainer, Englische Stoffe, Aha ‘British Painting in the 90’s,
Stuttgarter Nachrichten, 31 October |
| |
Breites
Spektrum, ‘British Painting in the 90’s’, Stuttgarter Zeitung, Nr
267, 18 Nov |
| 1997 |
de Charmant, Anne.
‘Le soleil se leve sur L’East End.’ Museart, no.66,
January. |
| |
de Cruz, Gemma.
‘World of Painting.’ John Jones Art Bulletin, issue 4,
Winter. |
| 1996 |
Currah,
Mark, Michael Stubbs at Lotta Hammer, Time Out, 24-31 July
|
| |
Lambirth,
Andrew, Michael Stubbs at Lotta Hammer, What’s On in London,
24-31 July |
| |
Craddock,
Sacha, Around the Galleries, Michael Stubbs at Lotta Hammer, The
Times, 30 July |
| |
Bennett,
Olive, Next Stop the Ministry of Sound, Independent on Sunday, 3
Nov |
| 1995 |
Searle, Adrian.
‘Hardwork.’ Time Out, 16-23 May. |
| |
Coomer, Martin. ‘2 by
1, Alex Landrum/Michael Stubbs.’ Time Out, 24-31 May |
| |
Withers, Jane. ‘Art
Collection of Nicola Jacobs.’ Vogue, July. |
| |
Glew, Adrian. ‘SoHo
not So-So - Avant Garde Art in London.’ Don’t Tell It, issue 8,
August/September. |
| |
Karlin, Marc
(Director). ‘The Outrage, Cy Twombly and Abstraction.’ TX-BBC2 TV,
screened 2 December. |
| 1994 |
Spiegel, Olga.
“Inventiveness, Humour and Economy: ‘New Voices.’” La Vanguardia,
19 April. |
| |
Juneosa, Enrique.
‘New Voices-Irony and Humour.’ El Pais, 3 April. |
| |
Rueda, Carmen. ‘New
Voices-Irony and Humour.’ Deia, 4 May. |
| |
de Gorba, Xavier
Saenz. ‘British Painting, 1989-92.’ Deia 22 May. |
| |
‘Flash Art
News-Galleries Europe, Punishment and Decoration.’ Flash Art,
vol.XXVII, no.176, May/June. |
| |
Haase, Amine.
“Gedrangel der Kunstwerke, ‘Punishment and Decoration.’” Kolner Stadt
Unzeiger, 30 May/1 April. |
| |
Smolik, Noemi.
‘Punishment and Decoration.’ KunstForum International, no.127,
July/September. |
| 1993 |
Bevan,
Roger. “Around the Galleries, ‘Michael Stubbs at Bipasha Ghosh.’” Art
Newspaper, February. |
| |
"Originalite, Excentricite, Humour’, ‘New Voices’",
Luxembourger Wort, 3 March |
| |
"Junge
Kunst aus GrossBritannien, ‘New Voices’", Tageblatt, 11 March
|
| |
Mersch,
Corina. 'New Voices, Still Lives.' Forum International, No 13, 2
April |
| |
Michael
Corris & Robert Nickas, 'Punishment & Decoration: Art in a n Age
of Militant Superficiality.' Artforum International, Vol XXXI, No
8, April |
| |
Bennett,
Oliver, ‘Exhibitionists!’-Goldsmith’s Art Graduates.' Evening Standard
Magazine, May |
| |
Usherwood,
Paul. 'East.' Art Monthly, no.169, September |
| |
Eshun,
Ekow, 'Art and About: Curtain Road Arts.'The Face, Vol.2, no.61,
October |
| |
Flash Art
News: Galleries USA, Mandy Loves Declan 100%, Flash Art, Vol
XXVI, no8, April |
| 1992 |
Kremer,
Mark. 'Neon Light & Cakes.'Kunst & Museum Journal, Vol
no.3 May |
| |
Suto,
Wilma. 'Stelling tegen Cynisme in Joy & Pain,' Volksrant, 10
September |
| |
Wesseling,
Janneke. "De doeken zijn cake, de verf is vulling: acht
mini-tentoonstelligen in het ICA, ‘Joy & Pain’", NRC
Handelsblad, 11 September |
| |
Roos,
Robert, "A1 Ready Made in Den Bosch: de wedergeboote van Duchamp, ‘Joy
& Pain’", Utrecht’s Niewsblad, 11 September |
| |
Van Winkel, Camiel.
'Joy and Pain.' Metropolis M, no.5, October |
| |
Hetting,
Frank-Alexander, 'Joy & Pain,' Kunstforum International, no
120, Nov/Dec |
| |
Lorent,
Claude, 'Quand l’Attitude devient art - Britain in Brussels: New
Voices,' Art and Culture, November |
| 1991 |
Norman, Geraldine.
“On the Contemporary Art Market: ‘Michael Stubbs at Nicola Jacobs.’”
The Independent, 14 January. |
| |
Bevan, Roger. ‘Around
the Galleries, Michael Stubbs at Nicola Jacobs.’ Time Out, 6-13
March. |
| |
Lillington, David.
‘Michael Stubbs at Nicole Jacobs.’ Time Out, 6-13 March.
|
| |
Graham-Dixon, Andrew.
Accompanying text for Exhibition: The Anxious Object Critics
View, May. . |
| |
Juler, Caroline.
‘Critics’s View.’ Arts Review, 31 May. |
| |
Hall, Charles.
‘Critics View.’ Arts Review, 31 May, |
| |
Patrick, Keith.
‘Critic’s View, Artline International.’ Art Issues, Winter
91/92 |
| 1990 |
Graham-Dixon, Andrew. 'Join the Professionals: Countdown’, The
Independent, 27 February |
| |
Graham-Dixon, Andrew. 'The Midas Touch', The Independent,
31 July |
| |
Graham-Dixon. Andrew, 'The Golden Years,' Vogue, September
|
| |
Graham-Dixon, Andrew.
‘Exercise of the Object: Swimming Underwater.’ The Independent,
23 October |
| |
Kent,
Sarah. 'Swimming Underwater', Time Out, 24-31 October
|
| |
Feaver,
William, 'Relentlessley Stylish and the Catalogue is a Must: Whitechapel
Open.'Sunday Observer, 23 December
|