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introduction
Welcome to our newly updated website. There
are many new pieces, and there are now individual pages for outdoor work,
bronzes, and our last solo show with Sarah Myerscough Fine Art in
London.
about us
Our sculpture is primarily in carved oak and limewood.
We work collaboratively to explore the boundary between two and three
dimensional form, using gouges to draw the complex shallow relief surfaces
that articulate the fall of light across simple, frontal forms. We work
across a range of scales from the hand-held to sculpture for the
landscape. We work in series, each family of pieces being explored through
a range of variations and scales, with new series evolving from current
forms. We hope that our work is beautiful, but it also asks for a mindful
response from the viewer. Each piece attempts to make its own statement
visually, and to become part of a visual argument.
Our work is resolutely non-functional, but straddles the
intersecting fields of sculpture, applied art and craft. While many pieces
originate in the 'real' world - there are cups, jugs, bottles - these are
likely to have been found in a modernist still-life painting or as a
museum artefact. Similarly our larger sculpture is a way of 're-seeing'
the tradition of the figure in sculpture, whether it be ancient, mediaeval
or modernist, revisioned through our own formal language.
technical information
The work is hand carved using axe and gouges. We
use English oak for its strong assertive grain, and lime-wood by contrast
for the very controlled carving its blandness allows. The pieces are then
transformed by techniques such as scorching, liming and coloration to
create objects that are open in their meaning and in relationship to their
material.
commissioned work
We recognise the importance of
pieces being appropriate to their location and are happy to work to
commission.
price guide
Prices range from around £250 for
our smaller vessels to around £4000 for a larger sculpture. Please ask for
details of pricing on individual
pieces.
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c.v.
Gaynor Dowling Born
1965, educated at Nene College of Art & Design, Northampton, and
Cumbria College of Art & Design.
Malcolm Martin Born 1959,
educated at Bath Academy of Art, Corsham, Wiltshire and the Royal College
of Art, London.
| Awards |
| 2003 |
New
Sculpture Arts Council,
England |
| Selected Solo Exhibitions |
| 2003 |
Perceptive Wood
Objects Plateaux Gallery,
London |
| 2003 |
Roger
Billcliffe Gallery, Glasgow |
| 2003 |
Lichfield
Cathedral Lichfield Festival Exhibition |
| 2002 |
New Work
Beaux Arts, Bath |
| 2002 |
Open Eye Gallery,
Edinburgh |
| 2002 |
Intelligent
Objects Sarah Myerscough Fine Art, London |
| 2001 |
New
Objects Sarah Myerscough Fine Art, London |
| 1999 |
Open Eye Gallery, Edinburgh |
| 1998 |
Showcase Crafts Council Shop at the
V&A |
| 1998 |
Medici Gallery, London |
| Selected Group
Exhibitions |
| 2003 |
SOFA Chicago
(with the British Crafts Council) |
| 2003 |
OUT THERE - Craft
Outside Crafts Council Galllery, London |
| 2003 |
Art in the
Garden Sir Harold Hillier Gardens &
Arboretum |
| 2002 |
THINKING BIG: 21st
Century British Sculpture Peggy Guggenheim Collection,
Venice |
| 2002 |
World Wood Museum
of Art and Design Helsinki, Finland |
| 2002 |
Wood - 10
Makers Scottish Gallery |
| 2002 |
Sculpture at
Goodwood New Concepts Gallery |
| 2001 |
The
Unexpected Sotheby's New York |
| 2001 |
Virginia Briers
Gallery San Fransisco |
| 2001 |
SOFA Chicago
(with the British Crafts Council) |
| 2000 |
Oxford Gallery
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| 2000 |
Carlin Gallery,
Paris |
| 1999 |
25 Years Crafts Council at
the V&A |
| 1999 |
Contemporary
Decorative Arts Sotheby's London |
| 1999 |
Scale Contemporary Applied Arts,
London |
| 1998 |
Natural
Resources Ruthin Craft Centre, and Oriel 31,
Newtown |
| 1998 |
Spirit of the
Times Bowes Museum, County Durham |
| Public
Collections |
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Contemporary Art
Society |
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Crafts Council |
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Fitzwilliam Museum,
Cambridge |
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Birmingham City Museum and Art
Gallery |
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Cleveland Crafts
Centre |
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Prior Court
School |
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Ruskin Gallery,
Sheffield |
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Shipley Art Gallery,
Gateshead |
| Bibliography |
| 2002 |
Thinking Big: concepts for 21st century British
Sculpture, catalogue published by Sculpture at Goodwood |
| 2001 |
Profile, Malcolm Martin & Gaynor Dowling, in
Gardens Illustrated, Feb 2001, pp. 15-17 |
| 2000 |
Malcolm Martin et Gaynor Dowling, by Suzanne Trocme,
in Architectural Digest, Paris, June, p32 |
| 1999 |
Twenty Five Years, catalogue published by the Crafts
Council Shop at the V&A |
| 1999 |
Style Brut, by F. Morrelec, S. Guibourge & A.
Desgrippes, Flammarion, Paris, ISBN 2-08-2001814 |
| 1999 |
The Eye of the Beholder, by Malcolm Martin, in Crafts,
no 159, May/June, pp30-35 |
| 1998 |
Natural Resources, catalogue published by Ruthin Craft
Centre |
| 1998 |
Spirit of the Times, catalogue published by the Bowes
Museum, County Durham |
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